Home

Saturday, July 16, 2011

Vaanam BGM


Vaanam ( வானம்) :is an Indian Tamil drama film written and directed by Krish. A remake of his 2010 Telugu filmVedam, the film features an ensemble cast of SilambarasanBharathAnushka ShettyPrakash Raj and Saranya. The score and soundtrack were composed by Yuvan Shankar Raja, while cinematography and editing were handled by Nirav Shah and Anthony Gonsalves, respectively.
Vaanam is an anthology film; the story revolves around five individuals from different walks of life, representing the five natural elements—sky, air, water, fire and earth —and illustrates how their fates intertwine on New Year's Eve at a hospital in Chennai. The film, jointly produced by Ganesh Janardhanan and R. Ganesh and distributed by Dayanidhi Azhagiri's Cloud Nine Movies, was released on April 29, 2011,and received critical acclaim.

Click here For Vaanam BGM`s..!!

Deivathirumagal-Tamil movie review

Starring: Vikram, Anushka, Amala Paul, Santhanam, Direction: AL VijayMusic: G V Prakash KumarProduction:

 UTV Motion Pictures

“Simpler a thing is, nobler it is”, said the legendary Sathyajith Ray. He would have reiterated his stance now had he watched Krishna (Vikram) in Deiva Thirumagal.
What would you call someone who is an embodiment of all things good, simple and virtuous but appears in the eyes of blemished materialistic world as aberrated? A Deiva Thirumagan, indeed!
DT is a poetical tale of love and affection between a dad and his 5 year old daughter who is the raison d’être of his life. He may be a mentally challenged person to the world but he is after all her dad.  
Director Vijay’s caliber as an effective raconteur keeps escalating in every film of his and DT is the latest example. His matured handling of the script and his characters are just testimony to this. It is endearing to watch this tale unravel itself in a very charming and touching fashion.
There are no villains in DT but all the characters are driven by the goodness exuded by its lead Vikram. One of the first frames, where Krishna helps the pickpocket guy sums up his characterization. The subsequent shots of him abiding the traffic signal, wanting to stick to truth only and helping a hatchling to its nest lucidly spells forth his character. In a way, it is Vikram all the way…
What can you say about this actor whose sincerity and talents that are not already known? It is not Vikram you see but it is Krishna and a dad wanting to be with his daughter suffering the pangs of separation. He has done the tightrope walking of playing a mentally challenged person to the hilt. A little sway on any one side would have worked detrimental to him as an actor and the film. The seasoned actor that he is has given a brilliant performance.
Anushka looks ravishing and as a struggling lawyer gets her act right wanting to bring justice to her client. Santhanam’s comedy gels along with the story line and brings in enjoyable lighter moments. Nasser as the intelligent and cunning senior advocate Bhashyam is apt and delivers a veteran’s performance. However it is baby Sara who steals the show next only to Vikram in her angelic looks and performance. There is a serene look about her which helps the role majorly and her understanding of her dad and playing to his inadequacies warrant accolades. Amala Paul has a small role and delivers it right. The supporting casts of Y Gee Mahendra, Sachin Khedekar, Karthik Kumar, Krishna Kumar, Surekha, M R Kishore and Priya have also essayed their roles quite effectively. .
Setting the right kind of mood through his camera work has been cinematographer Nirav Shah’s forte which he has adhered to in DT. Nirav has had a field day in Vizhigalil Oru Vaanavil number which is aesthetics at its best. Anushka’s expressions in this sequence and the oblivious Vikram behind her on the bike are a revelation. The sleek and discreet editing helps the proceeding in a big way. G V Prakash’s scores are already chartbusters and each track adds significant value to the film. Ore oru oorukkula number is sure to be children’s favorite 
Dialogues like “Vakil kitayum doctor kittayum poi pesa koodathu, aana vakillum doctorum poi pesalam” and ‘Saamikku amma kedayaada’ are noteworthy. There are quite a scenes that tug at your heart’s strings and almost all of them happen between the dad and the daughter, the cream being the one between them in the court room towards the end and that on the first day of Sara’s school where the duo communicate with each other in sign language.
On the flip side a few scenes involving M S Bhaskar and the helper don’t add value to the progress of the film. However considering the overwhelming positive feeling that the film evokes in its entirety, these foibles can be forgiven.
After a long while, DT gives the satisfaction of watching a film without cringing in your seats or worrying how it would appeal to the young population. In short Deiva Thirumagal is a well nuanced film that will appeal to everyone who has their heart and feelings in the right place.
Verdict: An emotional tale between a father and a daughter well told

All new Ford Fiesta launched


Ford has launched the all-new Fiesta saloon with 1.5-litre petrol and diesel engine options.
The 1.5-litre petrol motor is a scaled down version of the 1.6-litre engine that powers the Fiesta Classic. However, the newer engine comes with Twin Independent Variable Camshaft Timing (Ti-VCT) which boosts power to an impressive 108.46bhp.

The diesel motor is an enlarged version of the 1.4 Duratorq and now comes with an intercooler. The engine now develops 89.72bhp and 20.81kgm of torque. Both cars are equipped with a 5-speed manual gearbox and a twin clutch auto ‘box is expected later this year.
Ford India claims that the Fiesta gives best in class fuel efficiency of 17kpl for the petrol and 23.5kpl for the diesel according to the ARAI test cycle.
The new Fiesta is available in four variants and the higher variants come loaded with first-in-class features like Voice control that allows the use of a person's voice to make and receive calls, change the radio station or music track and control the temperature. Other features include cruise control, USB/AUX-in connectivity and rear parking sensors. The Electric Power Steering (EPAS) has Pull Drift Compensation technology which aids stability.
The Style and Trend variants lack Bluetooth and Voice Control, but the latter gets automatic climate control while the base variant comes with a manual AC. All variants are offered with Aux-in port while only the Titanium and Titanium+ get USB connectivity and voice activated controls for the AC as well. All Fiestas are available with ABS, EBD and dual airbags. Base version makes do without turn indicators on ORVM and alloy wheels. Cruise control and reverse parking camera is available on the Titanium+ variant only. Fog lamps are available from the Trend variant up.
Ford Fiesta will compete head-to-head with the Honda City, Hyundai Verna 1.6 and VW Vento. The petrol variants are priced from Rs 8.23 lakh to Rs 9.24 lakh. In comparison, Verna 1.6 petrol is priced at Rs 7.64 lakh to Rs 8.95 lakh. The prices for diesel Fiesta start at Rs 9.27 lakh to Rs 10.42 lakh, while the Verna 1.6 Diesel is priced at Rs 9.34 lakh to Rs 10.04 lakh.
New Fiesta prices in detail:
Variant
Petrol (Price in Rs)
 Diesel (Price in Rs)
Style
 8.23 lakh
9.27 lakh
Trend
 8.77 lakh
9.77 lakh
Titanium
 9.17 lakh
10.17 lakh
Titanium+
 9.42 lakh
10.42 lakh
All prices are ex-showroom Delhi

Thala First interview on Mankatha

Life seems to have come full circle for Ajith Kumar with Mankatha. It may be his 50th film, but the actor is as excited as someone making his debut in cinema. “Yes, I've approached this project with the same interest, energy and passion as I did my first film. After a long while, I was totally focussed on acting. What I mean to say is the production and direction departments of Mankatha were so well-organised that I didn't have to pitch in unlike some of my earlier projects. I was able to do full justice to my role,” says Ajith.Ajith Kumar
A lot of credit for that should go to director Venkat Prabhu, says Ajith. “He is the finest I've ever worked with. He is meticulous, treats every one on the sets with respect and has full control over all areas of filmmaking.”
Merely doing the most number of films a year doesn't necessarily prove the success of an actor and Ajith believes in this. For him, a good film every few years is satisfying and raises audience expectations. Billa was Ajith's last box office success. That happened in 2007, a year that also saw the release of his two other films — Aalwar and Kireedom — which didn't quite set the screens on fire. Then Aegan and Aasal released, again, not quite the kind of films one would expect from the actor. On the other hand, Billa was stylish and suave, reflecting Ajith in real life, minus the dark deeds of the film's hero.
Choosy about projects
Known to be choosy about his projects, Ajith didn't find any script/director worthy of his attention. In some instances, destiny decided otherwise (read: Gautam Menon, Vishnuvardhan, Bala) and projects didn't click the way he would have liked them to. Unperturbed, he turned his attention to personal and family matters — his daughter Anoushka had just got into kindergarten; he remodelled his house; wife Shalini was happy to have Ajith around the house; he got more time to take care of his parents' health; he could indulge in his favourite pastime of aeromodelling. The list was becoming endless. Till Venkat Prabhu happened and Mankatha sprang up from the director's storyboard.
The film industry is such that heroes, despite their advancing years, yearn to play younger roles. For Ajith, to play a character sporting salt and pepper hair and beard would have required courage. “Actually no. I think, with age comes wisdom. I'm not afraid of appearing as I do in reality and the role in Mankathacalled for it. In fact, Vinayak Mahadevan (Ajith's character in Mankatha) is an ordinary man. Money is all he's interested in. What you will get to see is a very, very bad man in Vinayak,” explains Ajith.
Mankatha is all about betting, with the game of cricket forming the backdrop. “In fact, when Venkat narrated the story to me, he said there were five characters in the film, all bad men and one guy who was the worst. I play that character; you can call him protagonist or antagonist. He has in him that villainous streak that would probably make you recoil. After a long time in my career, I thoroughly enjoyed doing this role. Something about the character interested me and I was sure Venkat would do full justice to the way he had conceived it. As for me, I've put in my best and, in the process, understood the value of hard work,” says Ajith.
Now that Mankatha is wrapped up, Ajith has moved on to his next. With Billa 2 happening as a prequel, what can one expect from Ajith? “The very fact that we are making a prequel is unusual. Billa is a brand by now, more like a franchise. A lot of people would like to know where Billa came from. What led him to become Billa? This is a bold attempt and I'm happy that the entire production is in the secure hands of Suresh and captained by an accomplished director Chakri Toleti.”
For most actors, especially those who play hero, the aura of stardom gets stuck to them. At some point, the star takes over and acting becomes of no consequence. It's not so for Ajith, who says, “I'm always an actor and will remain so. The star aura is what is perceived by fans. It doesn't change me or my lifestyle. I am still the same Ajith I was 50 films ago. No doubt, the popularity robs you of your freedom.”
Thala Speak
Philosophy of life:
“Live and let live. I would like to live my life without stepping on other's toes and I expect others to do the same.”
Source: The Hindu